Sophia Loren regarding A Special Day

18 septembre 1977
06m 09s
Ref. 00082

Information

Summary :

Sophia Loren talks about her role in Ettore Scola's film and remembers her childhood in 1930s fascist Italy.

Media type :
Broadcast date :
18 septembre 1977
Source :
Themes :

Context

A symbolic actress of Italian cinema, Sophia Loren, born in 1934, was at the height of her fame in 1975 when director Ettore Scola once again had her play alongside Marcello Mastroianni in A Special Day.

Starting out as a heroine of picture-novels and popular comedies, the brown-haired seductress became, over the years - and under the direction of her mentor, producer Carlo Ponti ? a genuine myth, so much so that she attracted men while displaying a provocative sexuality (Vittorio De Sica's The Gold of Naples in 1954), or, on the contrary, playing the card of sophistication (George Cukor's Heller in Pink Tights in 1960, Charlie Chaplin's A Countess from Hong Kong in 1967). Nevertheless, her talent can't be reduced to this ambivalence. Her performances in A Special Day and in De Sica's Two Women, which earned her an Oscar in 1960, make her as important as the big stars of the neorealism period.

Thierry Méranger

Transcription

Michel Drucker
Yes it's her, Antonietta, Sophia Loren, what a difference to the programme. Firstly a thousand thanks for having accepted this interview, Sophia Loren. I believe that it's the first time that you have agreed to a French television interview, as televised interviews are not your favourite pastime.
Sophia Loren
No it's not that they are not my favourite pastime, it's because when I shoot a film, I always feel protected by the character that I play. And when I'm in front of a television camera I feel a bit more exposed, than when I make a film, when I play a character in a film.
Michel Drucker
In an case in this role of Antonietta, heroine with Marcello Mastoianni of "A special day", you couldn't say that you were able to hide behind make up. There you were truly "naked", if I dare say.
Sophia Loren
Not at all, because really you have discussed the character a lot with the director Ettore Scola, and he's a director that I find very sensitive and very intelligent. And I consider him as one of the three or four most important Italian directors, and I'm in debt to his talent and gentle but firm manner, for having understood and overcome all the difficulties of the character. And so I appear in front of the camera with no make up, with a little dressing gown, with slippers with a hole in,
Michel Drucker
And spun yarn stockings?
Sophia Loren
And spun yarn stockings, completely removed.
Michel Drucker
But is it psychologically easier for the actress to act without any make up, without effects, for the emotion that's perhaps easier?
Sophia Loren
That depends on the role that you're doing. If you are play glamour roles as they say in America,
Michel Drucker
Very good?
Sophia Loren
No not at all, but if you are playing a normal woman, it helps a lot because really I am a normal woman myself, I have a modest background, I feel really at home and I feel I am close to my roots and I feel totally at ease.
Michel Drucker
You were a very little girl,
Sophia Loren
Of course I must forget my little womanly vanities,
Michel Drucker
Yes, of course. Sophia Loren, you were a very little girl in 1938, the day when Hitler came to visit Mussolini, and the whole family went to the parade, I'll come back to that in a moment. And you didn't have the political maturity to understand the events of the time, your mother perhaps did that for you, but it is within that social context of the time, you were the little girl of the people, did fascism say mean something for you, when you were growing up, did it mean something important?
Sophia Loren
What I remember of that time, was real hunger, misery, cold, I had no shoes, I had no clothes to put on, and I will never be able to forget that. And really now that I have a bit of money, the first thing that I do is, I buy shoes, lots of shoes. Because really that was a desperate moment for me.
Michel Drucker
Does your mother resemble this Antonietta from 1938, this enslaved mother of a family, dominated by a tyrannical man, as many men were at that time and still are too?
Sophia Loren
No not at all, because my mother was never married to my father.
Michel Drucker
She was what you called a ragazza madre, is that it?
Sophia Loren
Ragazza madre, a girl-mother, she was maybe one of the first hippies of that time, she was an artist, an intellectual, she played the piano very well, she was a very beautiful woman, She wasn't like Antonietta at all. I could be a bit more like Antonietta, I'm a bit closer to Antonietta.
Michel Drucker
That's not very nice for your husband Carlo Ponti?
Sophia Loren
No, it's not because of that, it's to do with feelings that you feel inside yourself. It's not about relationships with men.
Michel Drucker
So let's just talk about relationships with men, Antonietta's husband, a fascist of course, is truly a despicable person par excellence, who tyrannises everyone, who ill-treats, who has extremely violent relationships with the members of his family. You see it in this scene, we're not talking any more about fascism, are there still men like that in Italy?
Sophia Loren
But it's not only men like that who exist, there are also women like that in the world today. And men like my husband in the film unfortunately still exist, men who are real men, who believe they are real men, Very manly as a good fascist should be, and within their masculine universe, the woman is always treated like, I don't know
Michel Drucker
A slave,
Sophia Loren
A maid who has to do everything,
Michel Drucker
A housewife, yes,
Sophia Loren
Like a pathetic being without any right to participate in the important problems in society.
Michel Drucker
Moreover it is noted that Antonietta does not go to the parade, she stays at home to do the housework.
Sophia Loren
Yes because that's the only thing that she can do.
Michel Drucker
We are now going to talk, as the extract will give us the opportunity, about Marcello Mastroianni. It was your ninth encounter with Marcello, is he more than a family friend now?
Sophia Loren
Ah yes! He is a brother, he's a husband, he's everything.
Michel Drucker
Who is he in this film, he is someone who has a difficult life, he doesn't attend the parade, neither do you, does he not attend for other reasons?
Sophia Loren
Because he's homosexual.
Michel Drucker
Therefore rejected by the regime.
Sophia Loren
At that time, I was told that homosexuals couldn't take part in social life, they were sent to confinement
Michel Drucker
Concentration camps.
Sophia Loren
Exactly, so that's Marcello's character in the film.